Who are the pioneers of Color-Field Painting?

Color-Field Painting is a style of abstract painting that emerged in the 1940s and is characterized by large expanses of color on the canvas, focusing on the emotional resonance of color and the overall aesthetic experience. Mark Rothko and Barnett Newman are considered pioneers of this movement due to their innovative approaches to color, form, and spatial relationships.

Rothko is well-known for his use of luminous, translucent layers of color that evoke strong emotional responses. His compositions often feature large rectangles of color that seem to float on the canvas, inviting viewers to engage deeply with the emotional weight of the colors. Similarly, Barnett Newman’s work emphasized the vastness of color fields, with his use of bold, unbroken colors and the introduction of "zips"—vertical lines that divide expansive color areas. Both artists aimed to transcend traditional representation, drawing attention instead to the sensory experience of color.

The other choices represent figures associated with different art movements or styles. For instance, Edvard Munch and Oskar Kokoschka were key players in Expressionism, and Le Corbusier and Juan Gris were prominent in architectural and Cubist movements, respectively. Richard Long and Michael Heizer are known for their work in land art and environmental